Festival Cinema Africano, Asia ed America Latina
Milan, Italy
Screenings will take place:
March 17, 2010, 4:30PM
SYNOPSIS
The story of Streetball, a documentary on South Africa’s 2008 – 2009 Homeless World Cup Teams
In Cape Town, there are two realities. Sixteen years after the end of apartheid, South Africa prepares to
host the FIFA World Cup and the country is ripe with celebration. New hot spots, airports and stadiums were built to welcome travelers from around the world. However, there remains a generation that lives in extreme poverty, with many youth falling into lives of violence, drugs and abuse.
Streetball is a fast paced documentary that tells the stories of South Africa’s 2008 Homeless World Cup team. The Homeless World Cup is an annual soccer tournament that draws teams from over 56 countries—comprised of homeless and the excluded. The SA Squad consists of ex-convicts, former gangsters, orphans and recovering drug addicts that band together to represent their country, proving that no one is beyond redemption. Streetball is a story of hope and of the resilience that dwells within the human spirit. But while these mens’ dreams are simply to have a home and to be recognized as people who need care, often times the realization of those dreams is accompanied by a sobering reality.
THE CAST
Meet the soccer players of South Africa’s 2008 Homeless World Cup team and their leaders in the Cape Town community.
Martin Africa grew up in Cape Town and lived on the streets since he was five years old. After spending years in and out of prisons and gangs, Martin found out he had a son and needed to find a way out of a life of drugs and gangsterism. In 2007, he attended trials for South Africa’s Homeless World Cup street soccer team. He was subsequently named captain of the 2008 team.
Thapelo Kalpens grew up as an orphan , living in a youth home. He’s a strong student and wants to attend college but is unsure of how to pay for tuition. He tried out for the Homeless World Cup team in hopes of gaining experiences and connections that would benefit his future. Thapelo made the team and was named vice-captain.
Sandile Mhlongo became an orphan when he was nine years old. He grew up in a children’s shelter but when he turned eighteen, he was sent out to live on his own. With no family or support, he ended up living on the streets. He heard about trials for the Homeless World Cup team and stood out among the competition. Sandile was a top goal scorer for the 2008 Homeless World Cup team.
Petros Nkomo, aka “Rasta,” grew up in Soweto and later moved to Cape Town. He was an orphan at age seven and struggled to find stability for himself on the streets. He spent some time in prison due to petty crimes and while he was there, he played soccer. He became an excellent goal keeper which made him an obvious choice for the 2008 team.
David Abrahams is a community leader, focused on developing youth structures. He founded the Western Cape Street Soccer League in 2006, in preparation for the Homeless World Cup held that year in Cape Town. He has since grown the league into the organization, South African Homeless Street Soccer (SAHSS) and works for the league on a volunteer basis.
Peter Cooksen coached the 2008 Homeless World Cup team. He works full time for organizations in the Atlantis community and volunteered for the South African Homeless Street Soccer League. His coaching provided guidance to the players as they prepared to compete in Australia.
Kgafela oa Magogodi is a Spoken Word Poet and film scholar. He taught at the University of the Witwatersrand and was also a guest lecturer at New York University. He has performed worldwide and was the first recipient of the Steve Biko Fellowship. His work explores the social roles and media representation of Black intellectuals, as well as the significance of maintaining cultural practices to uphold a vibrant civil society.
THE ARTISTS
Streetball features the work of significant up and coming–as well as established–musicians and street artists from South Africa. Each artist donated their poetry, music and images to the film and to From Us With Love, giving Streetball a vibrant backdrop in telling the stories of South Africa’s post-apartheid generation.
Araminta de Clermont
Photo by Araminta de Clermont
Araminta de Clermont is a British born photographer who is now based out of Cape Town. Her work explores “rites of passage, and the visual currencies of group identification and formation.” Before Life her second solo show, follows Life After, which was exhibited at Joao Ferreira Gallery, and at ArtSpace, Berlin. Her work features in the UNISA collection, in The Trustman collection, and has been showcased throughout the US and Europe as well as in South Africa.
ETC Crew
ETC CREW is the “Cape Town-based, multi-racial, cross-dimensional Hip Hop rap outfit you might’ve already heard of.” Fueled by their own fresh yet energetic, jazzy, head-nodding Hip Hop sound, they are on a mission to fill a cultural and musical gap in the South African music industry. Not content to be followers in the game, they would rather do it differently, making changes on their own terms, armed with the kind of quality beats that speak to your feet and a highly comedic lyrical flow that is completely contagious. ETC Crew is here to re-adjust any kind of attitude that says Hip Hop and rap are strictly for gang bangers.
Faith47
- Image by Faith47
Faith47 is a Cape Town based graffiti artist and has been adorning the streets of South Africa for over fifteen years. Her work explores the divisions that still exist within South Africa’s communities and seeks to draw attention to the places and people that are often over looked. Her artwork has appeared in galleries across Europe, North and South America as well as throughout Africa.
Jitsvinger
Jitsvinger (Quintin Goliath) is one of South Africa’s fastest rising Afrikaans vernacular Hip Hop artists. He plays acoustic and electric guitar and successfully launched his debut album, Skeletsleutel, in 2006. He has traveled the country and world, performing at various outdoor and indoor festivals, theaters, clubs, living rooms and even cordoned off streets.
In 2005, Jitsvinger was invited to facilitate a creative writing program at Robben Island. He has performed with poet and author Antjie Krog, and poets Kgafela oa Magododi and Comrade Fatso. He traveled and collaborated with Khoisan praise poet, Jethro Louw, performing traditional cultural music in the Taiwanese cities of Tainan and Taipei. In mid-2008, he traveled to Switzerland as part of the inter-continental Rogue State of Mind project where he performed and recorded with fellow artists from Switzerland and South Africa. Jitsvinger has been working on his follow-up album due for release in 2009.
Kgafela
Kgafela oa Magogodi is a Spoken Word Poet, Spoken Word Theater director and film scholar. He has taught at the University of the Witwatersrand School of the Arts as a lecturer in African Cinema, Oral Performance and Rap/Dub Poetry Studies and has also been a guest lecturer at New York University. He directs and produces original Spoken Word Theater and his productions have included “Itchy City,” “Warsoil,” “Bread,” and “Blood.”
Kgafela has written several screenplays and produced his feature length film, I Mic What I Like, in 2006. He has performed worldwide and was the first recipient of the Steve Biko Fellowship. His work explores the social roles and media representation of Black intellectuals, as well as the significance of maintaining cultural practices to uphold a vibrant civil society.
Rudimentals
- photo by matty.co.za
The Rudimentals are an eight-piece ska/reggae band that have been described as a “South African Institution.” The band released its first CD, “More Fire,” in October, 2003 and the hit song “Noh TV” won a National Bronze Stone award for best music video. In 2004, the band was voted “Best Reggae and Ska Band” in South Africa, by nationally popular Blunt Magazine.
In 2006, the band released their second CD entitled, “Set It Proper.” The CD fuses Ska, Reggae, Dub, Dancehall, Rock, African Mbaquanga and Jazz into what is now known as Afro-Ska. Sponsors include Cape Audio College, Township Guitars, Moskow Clothing and Critik Shoes. In 2007, the Band was signed for their first CD, “More Fire”, with Moonskaworld UK.
UjU
Gwen Ansell of Business Day claimed, “(UjU’s) compositions are memorable and the playing rather better than it needs to be. Whatever this new kind of popular music ends up being called, UjU does it exceedingly well.”
Today’s incarnation of the band was crystallized at a twelve-hour jam session in early March, 2004. Led by spiritual leader of the band, Ntuthu Ndlovu (poet and vocals), UjU has a sound that is distinctly their own, mixing strong Mbaqanga rhythms with modern Jazz and Hip Hop. UjU – Zulu for Honey – writes with a heightened consciousness, informed by critical social, economic and political issues. They aim to bring about the entirely new and distinctly South African sound that represents their generation. As they say, “Nothing cheesy here but always self-referential and ironic.”
PRODUCTION NOTES
Behind the scenes stories of producing the feature documentary, Streetball.
Streetball was funded by South African PBO (Public Benefit Organization) and United States 501(c)3 public charity From Us With Love (FUWL). With little to no experience in the film industry, but a passion to share the triumphs and tragedies of the 2008/2009 South African Homeless World Cup Teams, Streetball began production in July of 2008.
FUWL asked filmmaker, Demetrius Wren to join them in South Africa in February of 2008 to photograph and make short documentary videos of their ongoing projects. While spending time with the South African Homeless Street Soccer League, President, David Abrahams suggested that Wren make a full length documentary film about street soccer. Wren shared Abrahams request with FUWL Founder, Michael Smith and Smith agreed. Within a few weeks, FUWL approved funding for Streetball.
Streetball was made by a crew of only two. Demetrius Wren and Christina Ghubril shot, wrote, interviewed, directed, edited, photographed, sound mixed, researched, graphic designed, and composed the elements that make up the film under the direction of Executive Producer, Michael Smith, who also founded FUWL in April of 2007.
Thanks to modern technology, two 25 year olds with a lot of passion could complete a film in their living room. Streetball was edited, sound designed and graphic designed on a Mac, using all Mac programs.
FUWL’s strong relationships with organizations involved with the street soccer league, gave Wren and Ghubril full access to the staff and players. Wren and Ghubril would often leave the cameras behind and spend time getting to know the players and the Cape Town community. The friendships that formed made it comfortable to hold conversational interviews and hang out at ease while a camera was around
Without a full crew or imposing equipment, Wren and Ghubril gained access into places and stories that are not often open to “outsiders” or media. Also, without Martin Africa, much of Streetball would not exist. He took Wren and Ghubril into locations that housed local gangs and to where many street people lived. Once, Ghubril watched a man twirl a gun at them while filming in the Quarry but he put it down when he saw Martin with the crew. On Long Street, Martin was told by some kids that if he wasn’t with the crew, they would’ve stolen the cameras.
Ghubril wanted to highlight South African musicians and artists in the film, to give context to the vibrant post-apartheid culture and generation. Wren was inspired by the “Take-Away Videos” — one-shot music videos of bands performing live in their community locations. The two combined their ideas and brought South African musicians into the fabric of the film.
While finishing her undergrad in Johannesburg, Ghubril met Wandile Molebetsi of UjU, and would frequent UjU’s concerts each week. Kgafela oa Magogodi was her professor at NYU and at the University of the Witwatersrand. On her spring break in Cape Town, Ghubril visited the District 6 museum where she was moved by Faith47’s artwork. Jitsvinger, the Rudimentals and ETC Crew, were found on myspace. They all generously donated their time, music and artwork to From Us With Love for Streetball. All proceeds from the film and soundtrack will go to fund From Us With Love’s ongoing projects to bring about hope in South Africa.
Cape Town
In the last few days we’ve had many adventures. On Wednesday, we started the morning early with a helicopter flight over Khayalitcha. We were able to get the ride with the doors off of the helicopter so that our footage wouldn’t be hindered at all by windows, etc. It was incredibly exciting and we got some great aerial footage for the film of where some of the players grew up.
We caught up with Peter Cooksen, the coach of the 2008 Homeless World Cup team. He took us around to organizations in his community around Atlantis and to visit and interview Vuyo, who he is still closely tied to. Vuyo is doing well in school, is in good spirits and just got back from a soccer tournament in Johannesburg where his team won first place!
We then visited Riaan at The Ark. He is also doing well. Back in school and working towards entering college, he is hopeful and energetic, still playing ball and is encouraged about taking control of his life and his future. He shared some of his new tricks for us!
As always, it’s a wonderful journey.
Riaan
Peter Cooksen
Khyalitcha
Khyalitcha
Cape Town
2010 World Cup Stadium
Interview with Greg Homann and Uju
Today we visited the University of the Witwatersrand to interview professor, Greg Homann on youth in South Africa. Afterwards, Uju came in for an interview. It was helpful to hear various perspectives on this new generation in South Africa, the post-post-Apartheid generation and how they are defining themselves. We will soon be meeting with the players of the 2008 Homeless World Cup team from South Africa and they are all between the ages of 16 and 30, certainly falling into this generation. We are looking forward to beginning the next leg of the journey.
Tomorrow? Off to Cape Town.
Uju
UJU Live from Christina Ghubril on Vimeo.
Today held the stories of a gorgeous rooftop video shoot overlooking Johannesburg, capturing the magic of one of South Africa’s fastest growing bands. If you don’t know Uju, check them out, as I’m sure they will be bursting into the world at large in the next few years. Their new album is in process and is even tighter than their last project.
Check out our collaboration above and have a beautiful day!
Kgafela
Today was full of grit and magic. We got up with the sun and traveled to Newtown to snag a few more early morning shots around the Afrika Cultural Centre before filming Kgafela’s videos.
Africa Cultural Centre
The shoot was fantastic. The location has so many options of rooms, hidden areas and magical gardens that we could’ve shot twelve videos there. We ended up getting in three and as the day progressed, so did the community we were working with. Kgafela had organized friends, mentors, mentees, a wild dog, his wife and sons and musicians and by the end of the day, we had quite the crew on set. It was a great day.
Kgafela oa Magogodi
Feya Sista
Returning to Jozi
The Mandela Bridge
Demetrius and I got up with the sun yesterday to get some establishing shots of Newtown.
We met up with world renowned performance poet, Kgafela, as well as several members from the band Uju. We will be filming videos with all of them for the documentary and connected to discuss details of their upcoming shoots.
Kgafela took us to the spot where he wants to film his videos. It is a maze of wide open space, raw, rough details. As part of the Africa Cultural Center it is a historic space that will soon be torn down and remodeled, so we’re excited to capture it before the “upgrade.” Tomorrow’s shoot should be a fantastic first!
Afrika Cultural Center
